MIXING & MASTERING
A finished sound that keeps the production intact.
Mixing and mastering focused on clarity, depth, impact and reliable translation, with communication that keeps the original intention in view.
SEND A MIX BRIEFWhat you should send
- 1.Organized, labeled stems or a rough bounce for reference
- 2.Any reference tracks for tone and loudness
- 3.Notes on the intention behind the production
- 4.Delivery deadline and target platforms
What I help you solve
- •A mix that loses balance or focus outside the studio.
- •Elements competing for space instead of sitting together.
- •A master that needs to translate reliably across playback systems.
- •Consistency across a set of songs meant for the same release.
Mixes & masters, by style
Folk - Songwriter
Jay Ssandri - Hey Darling (USA)
Victor Robledo - Chica del Faro (Spain)
Pey Tonos - How Far We've Come (USA)
Rock
Raa - Close the Door (USA)
Raa - Play Myself Out (USA)
Funk
Franco Rivers - Funky Living It in Style (Netherlands)
Glamor and Chase
Acoustic
Jarno - Unburden (Netherlands)
Henry West - Silent Story (USA)
Latin & Flamenco
Franco Rivers - Don't Stop (Netherlands)
Franco Rivers - Tu Eres Mi Vida (Netherlands)
Piano & Cinematic
Breath of the Horizon
Immensity
Deep Space Lullaby
Vocal Pop
Growing
You Will Never Stay Alone
Frequently asked questions
What formats do you deliver?+
WAV at 24-bit and MP3 as standard, with DRY stems available on request.
How many revisions are included?+
A focused revision round is included in the process. Additional rounds are scoped depending on the project.
Do you offer mastering without mixing?+
Yes. You can send a finished mix (stereo bounce) for mastering alone, whether it's mine or another engineer's.
How long does the process take?+
Between 5 and 10 business days per song, depending on project complexity and the number of revision rounds.
Do you work with clients remotely?+
Yes, the whole process is remote: we coordinate over video calls or messages and share files via WeTransfer or Drive.
What if I don't have stems, just a stereo bounce?+
I can still work with a stereo bounce, though the room to adjust things is smaller than with organized stems.
What loudness do you master to for streaming?+
I target each platform's standards (Spotify, Apple Music, YouTube) so the master translates well without sounding over-compressed.
Ready to send your mix?
Share your stems or rough mix, references and where it needs to land — streaming, film, a specific platform. I will reply with the most useful next step and let you know whether I am the right fit.
SEND A MIX BRIEF